ZHANG HUAN
1965 Born An Yang City, He Nan Province, China. Lives and Works in Shanghai and New York

EDUCATION
1993 MA, Central Academy of Fine Arts, Beijing, China
1988 BA, He Nan University, Kai Feng, China

SOLO EXHIBITIONS
2006 Zhang Huan, Galerie Volker Diehl, Berlin, Germany
Zhang Huan, Sherman Galleries, Sydney, Australia
2005 Zhang Huan: Seeds of Hamburg, Museum of Fine Arts, Boston, USA
2004 Zhang Huan: Seeds of Hamburg, Norton Museum of Art, Florida, USA
Zhang Huan, La Fabrica Galeria, Madrid, Spain
Zhang Huan, Tri Postal, Lille 2004, Cultural Capital of Europe, Lille, France
2003 Zhang Huan, Bochum Museum, Bochum, Germany
Zhang Huan, Galerie Volker Diehl, Berlin, Germany
Zhang Huan, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark
2002 Zhang Huan, Kunstverein in Hamburg, Hamburg, Germany
2001 Zhang Huan, Luhring Augustine Gallery, New York, USA
Zhang Huan, The Power Plant Contemporary Art Gallery, Toronto, Canada
Zhang Huan, Museo das Peregrinacions, Santiago de Compostela, Spain
Zhang Huan: Famliy Tree, Galerie Albert Benamou, Paris, France
2000 My America, Deitch Projects, New York, USA
Zhang Huan Survey, Adam Gallery, Wellington, New Zealand
Zhang Huan, Cotthem Gallery, Belgium
Zhang Huan, Cotthem Gallery, Barcelona, Spain
1999 Zhang Huan, Works From 1994-1998, Max Protetch Gallery, New York, USA
Zhang Huan: Performance on Video, Artspace, Sydney, Australia
Zhang Huan: Performance, Artspace, Auckland, New Zealand
1998 Zhang Huan, He Nan University, Kai Feng, China

GROUP EXHIBITIONS
2006 Shoot the Family, Cranbrook Art Museum, Michigan, USA
Making a Scene, Haifa Museum of Art, Haifa, Israel
Reverence, Hudson Valley Center for Contemporary Art, New York, USA
Fever Variations, The 6th Gwangju Biennale 2006, Gwangju, Korea
Radar - Selection from the Logan Collection, Denver Art Museum, Denver, USA
2005 The Museum Collections, New Presentation of Art Works from 1960 to the Present Day, Center Pompidou,
Paris, France
Mahjong, Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern, Bern, Swizerland
Locus Loppem 2005, Kunsthalle Lophem, Lophem, Belgium
Between Skin and Orgasm--The Alchemistic Body, Kunsthalle Lophem, Center for Contemporary Art,
Lophem, Belgium
Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
The Great Beyond, Kunstmuseum Thun, Thun, Swizerland
Text Me: An Exploration of Body Language, Sherman Galleries, Sydney, Australia
On the Edge: Contemporary Chinese Artists Encounter the West, Iris & B. Gerald Cantor Center for Visual
Arts, Stanford University, California, USA
Person of the Crowd, Contemporary Museum, Maryland, USA
Future Face, National Museum of Natural Science, Taiwan
The Wall, Reshaping Contemporary Chinese Art, The China Millennium Monument Art Gallery, Beijing, China
The Pictures of Dorian Gray, Galeria de Arte Mexicano, Mexico City, Mexico
Fusion: Aspects of Asian Culture in the MUSAC Collection, Museum of Contemporary Art, Leon, Spain
2004 Witness, Museum of Contemporary Art, Sydney, Australia
Regeneration, Contemporary Chinese Art from China and the US, Samek Art Gallery, Bucknell University,
Pennsylvania, USA
Face/off, The Association of Arts and Crafts Pforzheim, Pforzheim, Germany
Dialogue with Pop, The Tank, Spaceworks Gallery, New York, USA
The Art Project Goetzen, Houses of an Idol, Frankfurt (Oder)/Slubice, Germany/Poland
The Amazing and the Immutable, University of South Florida Contemporary Art Museum, Florida, USA
Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San
Francisco, USA
Between Past and Future: New Photography and Video from China, International Center of Photography,
New York, and Museum of Contemporary Art, Chicago, USA
Me, Myself & I, University Galleries, Florida Atlantic University, Florida, USA
Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San
Francisco, USA
Queens International 2004, Queens Museum of Art, New York, USA
Camera/Action: Performance and Photography, The Museum of Contemporary Photography, Columbia
College Chicago, Chicago, USA
Constructed Identities, Ulrich Museum of Art, Wichita State University, Wichita, USA
Anthro/Socio, The: Artist: Network, New York, USA
2003 Somewhere Better Than This Place, The Contemporary Arts Center, Cincinnati, USA
2003 Beaufort, Triennial for Contemporary Art by the Sea, The PMMK, the Museum of Modern Art, Ostend,
Belgium
Art Project, DiverseWorks Artspace, Houston, USA
Temporal Mood, Barbara Davis Gallery, Houston, USA
Rituals, Academy of Arts, Berlin, Germany
Family Ties, Peabody Essex Museum, Massachusetts, USA
Body Politics, Elga Wimmer Gallery, New York, USA
Windstil, Cotthem Gallery, Brussels, Belgium
Banquet, Metabolism and Communication, ZKM, Center for Art and Media, Karlsruhe, Germany
Photo Espana 2003, International Photography Festival, Madrid, Spain
Phantom of Desire: Visions of Masochism in Art, Neue Galerie, Graz, Austria
Me and More, Museum of Art Lucerne, Lucerne, Switzerland
Come Rally, Basque Museum of Contemporary Art (Artium), Vitoria, Spain
Skin Deep, The Trento and Rovereto Museum of Modern and Contemporary Art, Rovereto, Italy
Performance and Almost Performance, Reina Sofia National Museum, Madrid, Spain
BQE, White Box, New York, USA
Blood Lines & Connections, Museum of Contemporary Art, Denver, USA
Full Frontal: Contemporary Asian Artists from the Logan Collection, Denver Art Museum, Denver, USA
Spiders and Flies, Newcontemporaries, Sydney, Australia
New Zone, Zacheta National Gallery of Art, Warsow, Poland
2002 2002 Whitney Biennial, Whitney Museum, New York, USA
Skin Talks, Musee de la Civilisation, Quebec, Canada
Attachment+, Kunsthalle Lophem, Center for Contemporary Art, Belgium
China Contemporary Art Exhibition--Red Continent, Gwangju Art Museum, Korea
Paisajes del Cuerpo, Sala Zapateria 40, Pamplona, Spain
La Mirada Ajena, Basque Museum of Contemporary Art(Artium), Vitoria, Spain
SAM Collects, Contemporary Art Projects, Seattle Art Museum, Seattle, USA
The Gift, Generous Offerings, Threatening Hospitality, The Bronx Museum of Art, New York, USA
Subjectivity: Photographs of Themselves, Arizona State University Art Museum, Arizona, USA
2001 Yokohama 2001: International Triennale of Contemporary Art, Pacific Yokohama, Japan
Translated Acts, Haus der Kulturen der Welt, Berlin, Germany, and Queens Museum of Art, New York, USA
The Gift, Center of Contemporary Art, Siena, Italy
Subject Plural: Crowds in Contemporary Art, Contemporary Arts Museum, Texas, USA
Metamorphosis and Cloning, Museum of Contemporary Art in Montreal, Canada
Naked, Wood Street Galleries, Pittsburgh, USA
Lateral Thinking, Art of the 1990s, Museum of Contemporary Art, San Diego, USA
2000 Art and Religion, Parkabdij Heverlee, Belgium (Organized by Museum S.M.A.K., Gent, Belgium)
On the Edge of the Western World, Yerba Buena Center of the Arts,San Francisco, USA
Emotional Rescue: The Contemporary Art Project Collection, Center on Contemporary Art, Seattle, USA
Utopia, Rogaland Kunstmuseum, Stavanger, Norway
Betreff, Expo 2000, Themenpark, Basic Needs, Hannover, Germany
Waterfront--Cultural Bridge 2000, Helsingborg Museum, Sweden and Danmark
Sharing Exoticisms, 5th Biennale de Lyon, Lyon, France
The Standard Projection: 24/7, The Standard Hotel, Los Angeles, USA
Video via Venice, Institute of Contemporary Art, Boston, USA
Socialisms, Special Exhibition / Stockholm Art Fair, Sweden
6 Signals: Video by Contemporary Artists, Cheekwood, Nashville, USA
Potent /Present: Selections from the Vicki and Kent Logan Collection, CCAC Institute, Oakland, USA
Recent Acquisitions, The Doron Sebbag Art Collection, Tel Aviv Museum of Art, Isael
1999 The Century of the Body: Photoworks 1900-2000, Culturgest, Lisbon, and Musee de LElysee, lausanne,
France
Last Paradise, Presenca Galeria, Portugal
Self-Portrait, Mercer Union, Centre for Contemporaty Art, Toronto, Canada
Five Continents and a City: Second International Salon of Painting, Museum of Mexico City, Mexico City,
Mexico
Best of the Season, Aldrich Museum of Contemporaty Art, Rigefield, USA
Stories, A/C Projects, New York, USA
Summit, Galerie 5020, Salzburg, Austria
Art-Worlds in Dialogue, Museum Ludwig, Cologne, Germany
Risk Cinema, Harn Museum of Art, University of Florida, Gainesville, USA
Zhang Huan: A Video Survey 1994-1998; Performance Art from China, Govett-Brewster Art Gallery, New
Plymouth, New Zealand
48th La Biennale di Venezia, Venice, Italy
The Kent and Vicki Logan Collection, San Francisco, USA
Contemporary Collectors, Museum of Contemporary Art, San Diego, USA
Transience: Chinese Art at the End of the Twentieth Century, The Smart Museum of Art, Chicago, USA
In Your Face, New Langton Arts, San Francisco, USA
1998 Inside Out: New Chinese Art, Asia Society, New York, NY, PS 1 Museum of Contemporary Art, Long Island
City, and the San Francisco Museum of Modern Art, San Francisco, USA
In Your Face, The Andy Warhol Museum, Pittsburgh, USA
1997 Chinese Contemporary Art 1997, Watari Museum, Tokyo, Japan
1996 China Art Festival, Munich, Germany
Art Material of China, Avant Garde, Fugang, Tokyo, Japan
1995 Configura 2, Erfurt, Germany
1993 Graduate Show, Central Academy of Fine Art, Beijing, China
BIBLIOGRAPHY
2006 Rugoff, Ralph. “Shooting the Family,” Independent Curators International (ICI), PP. 46-47, USA (Exhibition
Catalogue)
Robecchi. Michele. “Zhang Huan Speak with Michele Robecchi,” Published by La Fabrica and Foundation
Telephone, ISBN: 84-96466-31-0, Spain
”The Season,” Gallery Pack, PP. 142-160, Italy (Exhibition Catalogue)
”Post Modern Portraiture,” The Logan Collection Vail, PP. 310-311, USA (Exhibition Catalogue)
Nairne, Sandy. “The Portrait Now,” National Portrait Gallery, PP. 88-89, England
2005 2005 Taylor, Brandon. “Art Today,” Published by Laurence King Publishing Ltd., P.196, UK
Hoffmann, Jens & Jonas, Joan. “Art Works, Perform,” Published by Thames & Hudson , (cover image)PP.
98-99, USA
Erickson, Britta. “On the Edge, Contemporary Chinese Encounter the West,” Cantor Arts Center ,(cover
image)PP. 66-69, USA (Exhibition Catalogue)
Rugoff, Ralph. “Monuments for the USA,” CCA Wattis Institute for Contemporary Arts, PP. 156-157, USA
(Exhibition Catalogue)
Kim, Jiae. “Losing Himself in His Art,” Theme, Spring 2005, Premier Issue, PP. 50-55, USA
Sauerlander, Katrin. “The Great Beyond,“ Kunstmuseum Thun, PP. 40-43, Switzerland (Exhibition
Catalogue)
”Between Skin and Orgasm--The Alchemic Body”, Kunsthalle Lophem, PP. 266-271, Belgium, (Exhibition
Catalogue)
Marsh, Margaret. “A.R.T. 2 Practice,” Published by Oxford, P. 87, Australia
Sausset, Damien. “Paris Photo,” Photo, No. 424, Nov. 2005, PP. 78-83, France
Matheson, Susan B. “Yale University Art Gallery Bulletin 2005,” Yale University Art Gallery, P. 195, USA
Fibicher, Bernhard. “Mahjong , Contemporary Chinese Art from the Sigg Collection,” Published by Hatje
Cantz, PP. 158-159, Switzerland (Exhibition Catalogue)
Deitch, Jeffrey. “Monument to Now,” Published by DESTE Foundation for Contemporary Art, PP. 446-447,
USA
”Zhang Huan,” Matador, Volume Orient, PP. 90-101, Spain
2004 2004 Peace, Art in America (cover image), June/July 2004, No. 6, USA
Collins, Thom. “Witness,” Museum of Contemporary Art, Sydney, PP. 34-41, Australia (Exhibition Catalogue)
”Art on the Plaza,” Sculpture Magazine, Vol. 23, No. 2, 2004, P. 14, USA
Coetzee, Mark. “Not Afraid: Rubell Family Collection,” Published by Phaidon, PP. 186-187, UK
Anker, Suzanne. & Nelkin, Dorothy. “The Molecular Gaze: Art in the Genetic Age,” Published by Cold Spring
Harbor Laboratory Press, 2004, P. 39, USA
Vine, Richard. “Zhang Huan, Weihong and Zhang Jian-Jun at DiverseWorks and Barbara Davis,” Art in
America, No. 2, 2004, P. 130, USA
Pollack, Barbara. “Chinese Photography: Beyond Stereotypes,” ARTnews, Vol. 103, No. 2, 2004, PP. 98-
103, USA
Ritson, Alicia. “Zhang Huan - Performances,” TAASA Reviews, Vol. 13, No. 1, 2004, PP. 12-13, Australia
Eikmeyer, Robert. “Zhang Huan,” Face/Off, The Association of Arts and Crafts Pforzheim, Pforzheim, PP.
144-148, Germany (Exhibition Catalogue)
”Zhang Huan,” Regeneration, Contemporary Chinese Art from China and the US, Samek Art Gallery,
Bucknell University, Pennsylvania, PP. 68-69, USA (Exhibition Catalogue)
Yu, Christina. “Tangible Metaphors,” Next Level, Edition 01, Volume 03, 2004, PP. 20-25, UK
Heckert, Virginia. “The Amazing & The Immutable,” Contemporary Art Museum, University of South Florida,
P. 36, USA (Exhibition Catalogue)
Cereceda, Miguel. “Monstrous in Contemporary Art,” Arte y Naturaleza, No. 34, Nov. 2004, PP.6-9, Spain
Sofaer, Joshua. “The Performance Pack,” Published by Tate and Live Art Development Agency, UK
Heathfield, Adrian. “Live: Art and Performance,” Published by Tate, P. 133 & P. 204, UK
Cheng, Meiling. “Clandestine Interventions,” Public Art Review, Vol. 16, No. 1, Issue 31, PP. 26-29, USA
Hung, Wu & Phillips, Christopher. “Between Past and Future, New Photography and Video from China,”
Smart Museum of Art & International Center of Photography, P. 140, USA (Exhibition Catalogue)
Jacob, Mary Jane. “Buddha Mind in Contemporary Art, “University of California Press, PP. 240-247, USA
Cotton, Charlotte. “The Photograph as Contemporary Art, “Published by Thames & Hudson, P. 24, UK
Etxeberria, David. “Zhang Huan “Umbigo, No. 11, 2004, PP. 36-37, Portugal
“Baby,“No. 11, Autumn 2004, P. 131, Netherlands
Liu, Melinda. “China Glasnost,” Newsweek (International Vision)(cover image) , Aug. 9, 2004, PP. 44-48,
USA
2003 2003 Dziewior, Yilmaz. “Zhang Huan” Kunstverein in Hamburg, Published by Hatje Cantz (cover
image)ISBN: 3-7757-1220-8, Germany
Vogel, Carol. “From War to Peace,” The New York Times, Inside Art, Aug. 1, 2003, USA
Schiff, Hajo. “Zhang Huan” Kunstforum International, Mar.-Apr., 2003, Germany
Sand, Olivia. “Zhang Huan” The Asian Art Newspaper, Jan. 2003, USA
Kevles, Bettyann Holtzmann & Kevles Daniel J. Ruth,” Beauty and the Double Helix” Newsweek, Feb.24,
2003, PP. 42-44, USA
“Zhang Huan” 2003 Beaufort, Triennial for Contemporary Art by the Sea, The PMMK, the Museum of
Modern Art, PP. 76-81, Belgium (Exhibition Catalogue)
“Somewhere Better Than This Place” Contemporary Arts Center, Cincinnati, PP. 206-207, USA (Exhibition
Catalogue)
Bauer, Marilyn. “Costars with Art,” The Cincinnati Enquirer, Sunday, Jun. 1, 2002, USA
Neubauer, Susanne. “Zhang Huan, “Me & More, Museum of Art Lucerne, Lucerne, PP. 74-81, Switzerland
(Exhibition Catalogue)
Weibel, Peter. “Zhang Huan, “Phantom of Desire: Visions of Masochism in Art, Neue Galerie, Graz, PP. 510-
511, Austria (Exhibition Catalogue)
Wichmann, Dominik. “Interview with Zhang Huan,” Suddeutsche Zeitung Magazine, No. 38, Sep. 19, 2003,
PP. 22-28, Germany
“Focus Photography,” Flash Art, No. 232, Oct. 2003, P. 93, Italy
Gleeson, David. “Berlin, Germany, Reviews, International “Art Papers, Sep/Oct, 2003, P. 60, USA
“Peace “, Public Art Review, Volume 15, P. 42, USA
Erickson, Britta. “Backflow: Returned Chinese Artists,”& Yao, Souchou. “Two Faces of Contemporary Art in
China” Artlink, Vol. 23, No. 4, 2003, PP. 16-31, Australia
2002
2002 “Zhang Huan,” Published by Xunda de Galicia and Cotthem Gallery, ISBN: 84-453-3162-0, 84-607-3005-0,
Spain
Goldberg, Roselee. “Zhang Huan,” Artforum, Mar. 2002, P. 139, USA
“Zhang Huan,”2002 Whitney Biennial, PP. 236-237, USA (Exhibition Catalogue)
Phillips, Christopher. “Crosscurrents in Yokohama,” Art in America, Jan. 2002, PP. 88-89, USA
Carr-Harris, Ian. “Zhang Huan,” Contemporary, Toronto, Jan. 2002, PP. 6-7, England
Heartney, Eleanor. “The Body East,” Art in America, Apr. 2002, P. 46, USA
Blanco, Jorge. “Zhang Huan, Naked Truth” Planet, Spring 2002, PP. 42-43, USA
Osborne, Peter. “Conceptual Art, Themes and Movements,” Published by Phaidon, P. 188, England
Lucie-Smith, Edward. “Art Tomorrow, the Body and Identity,” Editions Pierre Terrail, Paris, PP. 196-197,
France
“Zhang Huan,” Attachments, PP. 90-105, Belgium (Exhibition Catalogue)
“Zhang Huan,” SAM Collects, Contemporary Art, Project, Seattle Art Museum, PP. 20-21, USA (Exhibition
Catalogue)
“Zhang Huan,” Lateral Thinking, Art of the 1990S, Museum of Contemporary Art San Diego, PP. 66-67, USA
(Exhibition Catalogue)
“Zhang Huan,” La Mirada Ajena, Basque Museum of Contemporary Art(Artium), PP. 58-67, Spain (Exhibition
Catalogue)
2001 Olesen, Alexa. “Making Art of Masochism and Tests of Endurance,” The New York Times, Art/Architecture,
Nov. 11, 2001, USA
“Zhang Huan,” The Gift, Center of Contemporary Art, Published by Charta, P. 450, Italy (Exhibition
Catalogue)
“2001 A Beach Odyssey,” Aperture 164, P.58, USA
Heartney, Eleanor. “The Naked Truth,” Wood Street Gallery, USA (Exhibition Catalogue)
Kim, Yu Yeon. “Translated Acts,” Haus der Kulturen der Welt, PP. 84-85, Germany (Exhibition Catalogue)
“Zhang Huan,” Yokohama 2001, International Triennale of Contemporary Art, P113, PP. 372-373, Japan
(Exhibition Catalogue)
“Zhang Huan,” Subject Plural, Contemporary Arts Museum, PP. 34-37, USA (Exhibition Catalogue)
Marchand, Sandra Grant. “Metamorphosis and Cloning,” Museum of Contemporary Art, Montreal, PP. 46-
47, Canada (Exhibition catalogue)
Borras, Maria Lluisa. “Zhang Huan,” Atl Antica, No. 28, 2001, P. 26, Spain
“Yokohama 2001, International Triennale of Contemporary Art, Mega-Wave, Towards a New Synthesis,”
Monthly Art Magazine, Jan. 2001, P.77, Japan
Borysevicz, Mathieu. “Before and After,” Art Asia Pacific, Issue 30, 2001, PP. 57-61, Australia
2000 2000 “Zhang Huan,” Recent Acquisitions, The Doron Sebbag Art Collection, O.R.S. Ltd. , PP. 35-38, Israel
(Exhibition Catalogue)
“Zhang Huan: blood, sweat--and a few dollars,”El Cultural ABC, Nov.4, 2000, Spain
“Imagenes que Gritan,” Agenda, Nov., 2000, N.38, Spain
“Cinco Continentes,” Yuna Ciudad, No. 25, 2000, Spain
“Epifanie: Actuele Kunst en Religie,”Oct.2000, Belgium
Borysevicz, Mathieu. “Zhang Huan at Deitch Projects,” Art in America, Oct. 2000, PP. 168-168, USA
Anton, Saul. “Zhang Huan, By America” Time Out, May 2000, P. 73, USA
Carr, C. “Stripped Down,” The Village Voice, May 9, 2000, USA
揗y America,”Deitch Project, 2000, USA (Exhibition Catalogue)
Robinson, Peter. “ Raw Look at Changing China,” Jun. 3, 2000, The Canberra Times, Australia
“Zhang Huan, Potent Present, Selections from the Vicki and Kent Logan Collection, 2000, USA (Exhibition
Catalogue)
Len, Ling. “Body Express, Interview with Zhang Huan,” Culture Publication, PP. 138-153, China
Fineberg, Jonathan. “Art Since 1940, Strategies of Being,”2000, P486, USA
“Zhang Huan,” Zoo, Issue 4, Jan. 2000, PP. 176-177, England
Taylor, Victor Zamudio. “Five Continents and One City: Second International Salon of Painting
Mexico City, Mexico,” Atl Antica, No. 25, 2000, PP. 88-89, Spain
1999 Smith, Roberta. “Zhang Huan,” The New York Times, Art in Review, Feb. 12, 1999, USA
“The Biennale of Global Culture,” Domus, Vol. 819, Oct. 1999, Germany
Yu, Hsiao-Hwei. “Zhang Huan,” Chinese Art News ,(cover image)No. 20, Apr. 1999, PP. 65-68, Taiwan
Wu, Hung. “Speaking the Unspeakable,” Transcience: Chinese Experimental Art at the End of the Twentieth
Century, The Smart Art Museum, PP. 102-107, USA (Exhibition Catalogue)
Liu, Calvin. “Body and Soul,” Asianweek, Arts & Entertainment, Apr. 15, 1999, USA
Lu, Alvin. “Dogs Eye View,” San Francisco Bay Guardian, Apr. 14, 1999, USA
Anton, Saul. “Zhang Huan: Maoist Mask of an Anonymous Everyman,” Flash Art, Vol. 32, No. 207, Summer,
1999, P. 96, Italy
“Zhang Huan,”La Biennale di Venezia: 48 Esposizione Internatazionale dArte, Venice, PP. 260-263, Italy
(Exhibition Catalogue)
Dale, Richard. “Zhang Huan, Performance on video,” ISBN: 0-9583738-6-8, New Zealand (Exhibition
Catalogue)
Qian, Zhijian. “Performing Bodies: Performance Art in China,” Art Journal, Vol.58, No.2, 1999, PP. 60-71,
USA
Goodman, Jonathan. “Zhang Huan at Max Protetch,” Art in America, No. 9, 1999, PP. 130-131, USA
“Zhang Huan,”Lost Paradise, Presenca Galeria, Portugal (Exhibition Catalogue)
Gao, Minglu. “Self-Images: Mirroring the Relation between Extensionality and Internationality,”1999, Mexico
(Exhibition Catalogue)
Wang, Ruiyun. “Zhang Huan and His Art,” Art Observation, No. 48, 1999, China
Sauerlander, Katrin. “Zhang Huan, Art Worlds in Dialogue,” Museum Ludwig, 1999, Germany (Exhibition
Catalogue)
1998 Gao, Minglu.”Extensionality and Internationality in a Transantional Cultural System, “Art Journal(cover
image) , Vol. 57, No. 4, 1998, USA
Cotter, Holland. “Art That a Dragon With Two Heads,” The New York Times, Arts & Leisure, Dec. 13, 1998,
USA
Gao, Minglu. “Inside Out, New Chinese Art,” cover image) Aug. 1998, P. 49, USA (Exhibition Catalogue)
New York, No. 28, Sep. 1998, USA
Social Text, 55 Duke, Sep. 1998, USA
Wild Life, 1998, China
Why Asia?: Contemporary Asian and Asian American Art, 1998, USA
1997 Grey Book, No. 3, China
Article Highlights, Aug. 1997, Japan
Chinese Contemporary Art, Jun. 1997, Watari-um, Tokyo, Japan
China Books Monthly, May. 1997, Japan.
1996 China, Aug. 1996, Germany
China Research Monthly, Jun. 1996, Japan
1995 Stern, Dec. 1995, Germany
Configura 2 Dialog Der Kulturen, Jul. 1995, Erfurt, Germany
Artists, Dec. 1995, Tai Wan
White Book, No. 2, China
Zyma, Jan./Feb., 1995, Germany
Technika Art, No. 18, Jun./Jul., 1995, France
Art, Aug. 1995, Germany
1994 Ming Bao Monthly, Nov. 1994, Hong Kong
Dragon Art, Mar. 1994, Tai Wan
Black Book, No. 1, China
PUBLIC COLLECTIONS
Asia Museum of Fukuoka, Japan
Capital Research Company Collection, Hong Kong
The Denver Art Museum, Colorado, USA
Emily Fisher Landau Collection, New York, USA
Fukuoka Art Museum, Japan
The Hara Museum of Contemporary Art, Tokyo, Japan
The Marieluise Hessel Foundation Collection at Bard College, Center for Curatorial Studies, Annendale-on-Hudson, New
York, USA
The Kent and Vicki Logan Collection, San Francisco Museum of Modern Art, California, USA
The John D. and Catherine T. MacArthur Foundation, Chicago, Illinois, USA
Philip Morris Co. New York, New York, USA
Museum of Contemporary Art, La Jolla, California, USA
Philadelphia Museum of Art, Pennsylvania, USA
The Progressive Collection, Mayfield Village, Ohio, USA
REFCO INC. Chicago, Illinois, USA
Rubell Family Collection, Miami, Florida, USA
University Art Museum, University of California, Berkeley, USA
The Watari Museum of Contemporary Art, Tokyo, Japan
Henry Art Gallery, Seattle, USA
National Gallery of Australia, Australia
Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA
The Israel Museum, Jerusalem, Israel
Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
S.M.A.K., Gent, Belgium
Seattle Art Museum, Seattle, USA
Museum of Art Lucerne, Lucerne, Switzerland
Ulrich Museum of Art, Wichita State University, Wichita, USA
University at Buffalo, Buffalo, USA
The Pompidou Center, Paris, France
Norton Museum of Art, Florida, USA
Museum of Fine Arts, Boston, USA
Museum of Contemporary Art, Leon, Spain
Yale University, Connecticut, USA
Smart Museum of Art, Chicago, USA
Center of Contemporary Art, Malaga, Spain
New Orleans Museum of Art, Louisiana, USA
Columbus Museum of Art, Ohio, USA
Espirito Santo Bank, Lisbon, Portugal
The Charles Saatchi Collection, London, UK